Monday, May 12, 2014

Creating Stereoscopic 3D Images

Green/Magenta
STOP! and appreciate. This blog shows a trial run of my very first attempt at making 3D images. I had no idea how easy it was to create these so it was surely a great discovery. I believe that they could be better but for my first time I think they came out decent, especially the photo I took of Tower Hall.
Enjoy!

Green/Magenta

Green/Magenta

Green/Magenta

Green/Magenta

Monday, May 5, 2014

Recreating Cameras and Lights in Maya: Non-Maya Alternative



Hello there.
This assignment I am not as proud of but I can say that I learned a great deal. Maya was giving me trouble as I need to use my older laptop with an older version of Maya and for whatever reason, it kept crashing. My newer laptop is having licensing issues with Maya that I was not able to sort out before this assignment was due. In light of this, I thought that I could successfully recreate the lighting in my Campbell's soup can photograph. As expected, it did prove to be a lot tougher to accomplish this. 

Great assignment, however, not a great execution on my part but I would know what to do differently if and when a challenge like this is introduced once again.


Monday, April 28, 2014

Building a Scene in Maya

Hi there!

This assignment was to build a scene in maya by creating our initials with simple shapes and placing them in the foreground in an interesting and compositionally appealing way. I had a good time with this one except Maya scared me plenty with the spinning wheel of death.
Anyway. Enjoy!
AC

Saturday, April 12, 2014

Outline for the Third Term Paper

Third Term Paper Outline: Special Effects in Animation and Live-Action

Special/Visual Effect: Zero Gravity/Floating

The simulation of zero gravity is and will always be a challenge in the film industry. The two films on topic for discussion are productions that received generous amounts of praise for the dedication to their subject. Inception(2010) and Gravity(2013) both went to great measures to bring zero gravity to Earth.

Inception(2010): Corridor Scene
-Director wanted to keep CGI to a minimum
-Sets built in a hangar in England in order to film the scenes that used rotation and tilts
-Two versions of the corridor were built: one with rotation and the other was stationary
-Actors such as Joseph Gordon-Levitt acted the scenes within the stationary version with a harness and wires so that he could fly and jump from one wall to the other
            -Hallway shown as normal in playback, giving the illusion that the actors are floating           in zero gravity
            -Clothes were also taken into careful consideration. Ex: wires in shoe strings
            -All wires/harnesses were erased for final
-Rotating version of corridor 100 ft long: suspended by large rings and powered by two electric motors.
-A camera was stationed on a plate that ran on a track beneath the floor of the rotating corridor
-Camera was remote controlled



Gravity(2013): Scenes in Space
-Director wanted realism and therefore wanted animators to get close and personal with people that have experienced zero gravity first hand in every situation. Ex: tethered astronaut is accelerated — or two spacewalkers, tethered together, jerk one another around
-Sandra Bullock suspended with a 12-wire rig that resembled a marionette.
-The production brought in the most talented and detail oriented puppeteers in the business to simulate zero gravity
-Computer animation was used to blend what was called the Light Box(simulation of light in space) and the wire rig
-Technological process was very intricate and allowed for little spontaneity. Actors were under extreme time constraints.




Conclusion:

After comparing the two films, I have found that the simulations were done quite well and with generous amounts of precision and accuracy. Being that gravitational forces will always play a role in every action of the human body imaginable, it was quite impressive at how believable these moments were such as the fight in the corridor of the film “Inception” or the dead silent moments in space of “Gravity”. This goes to show that with careful observation and the power to educate oneself of an otherwise improbable experience of an average Joe, any effect can be created.

Sunday, April 6, 2014

Character Animation

Hey all!
 
My animation was created using my stationed iPad mini and a can-do attitude. I had a difficult time finding a item that was easily poseable as my boyfriend had given ALL of his used action figures to Goodwill and the remaining are stowed away in their protective packages so I had to improvise. Our stuffed giraffe was the solution along with an empty Patron bottle. This proved to be a great comedic choice. Enjoy and please find the humor in it.
 
 

Friday, March 21, 2014

Science Fact or Cinematic Fiction

Science Fact or Cinematic Fiction

Countless films manipulate the laws of physics to communicate worlds of unbelievable proportions. Science fiction films involving worlds outside of our own are compelled to stretch the truth, as their world does not exist in our physical world. However, to accomplish this rule breaking, one would need to solve the action in a way that could be believable by giving the action some weight of believability. To give weight would mean to adhere to certain laws in the most basic form so as to not leave the audience butchering the action with analysis. The film industry gains respect when a moment is believable in our world as well as world that we have never experienced. Adhering to the law of inertia in every sense would be believable, however, to the thrill-seeking moviegoer, believable is not always impressive or entertaining for the world introduced.

 Special effects are no stranger in the movie Wanted, directed by Timur Bekmambetov. Wesley, an account manager frustrated with a presumably dead-end job is taken for a whirlwind when Fox, a trained assassin, informs him that his father, also an assassin was killed and the man who committed the murder has a new target. Frequent panic attacks plague Wesley’s daily life but when he is told that these attacks are actually uncontrolled expressions of a superhuman ability, training unleashes a powerful force to be reckoned with. Curving a bullet’s path is the reoccurring skill throughout the film and the topic of this discussion in ignoring the law of inertia and actually playing on another principle of physics.

The movie Wanted portrays a cult of assassins possessing the mystical power of shooting curving bullets around objects and infrastructures to kill their targets. However, curving a bullet is impossible. Only a spherical object can be curved through a fluid due to Magnus forces causing pressure differential. A bullet, a cylindrical object, does occur Magnus forces through a fluid but produces a lift force rather than a curved motion. Therefore, the bullet in motion will stay in motion and not deviate from its path.
           
Star Wars is a movie franchise that encapsulates a grand story of galactic good and evil. The current saga, spanning over six films, portrays the battle between the Rebel Alliance and the Galactic Empire. Two factions support these two larger forces: The ancient
Jedi order (galactic peace police) and the Sith (anti-jedi war criminals). These two factions fight on land, sea, air and in space. The space battles consist of hundreds of fighter crafts of all shapes and sizes. They are a pivotal part to the story. However, the space battles themselves will be the point of focus for which we discuss another movie that breaks Newton’s First Law.

During the Battle for Endor, the X-Wing star fighters have the ability to perform agile maneuvers and acrobatic tactics to avoid their enemies. The X-Wings contain four propulsion engines on the rear of the fighter craft that are facing the same direction. With just these four engines, propelling in the same direction, the X-Wing cannot perform such movement. Outer space is a vacuum, meaning it is devoid of the structures and properties of matter. There is no wind and so these fighter crafts do no experience the same drag or have the sane ability to change directions as an aircraft would in the Earth’s atmosphere.
The battles are entertaining because the actions simulate movement that is more recognizable to the average Joe living on Earth. If the film chose to obey the laws of physics in outer space, the known mechanics of the fictional spacecraft and the absence of air would allow only for the fighter crafts to go straight in a constant motion. Therefore, the fighter would need propulsion engines directed in all directions allowing the fighter to change paths. In our universe, an object in motion stays in motion. The fighter craft, given the standalone force of the propulsion engines, would remain going straight unless acted upon by an unbalanced force.

Speed begins with a terrorist attack involving an elevator along with a witnessed bombing of a bus. The terrorist bomber tips off his next plan of attack to Jack Traven, an officer on the case. Jack is burdened with the horrible truth that a bus is rigged with explosives that will detonate if the vehicle reaches 50 miles per hour.

In the movie Speed the bus under pressure must jump a gap in a highway because stopping is not an option. The opposite ends of the highway gap are relatively flat, allowing for little to no vertical ascension.  When the bus begins to jumps the gap, the front end appears to have a vertical lift before the rear end of the bus even leaves the paved highway.  This would not happen due to the angle of the paved highway .The front of the bus would continue off of the cliff and descend due to the acceleration of gravity. 

Also, upon surviving the jump, the shot of the rear end of the bus seemed to have been above the ground plane of the highway. This contrasted with the first shot of the bus lifting off the cliff, where the rear end of the bus descended the ultimate height of the highway.
These two factors mentioned defy the law of inertia because the action of the bus in the movie would call for additional help to make it happen for the final shot.


For the sake of story, laws of physics, such as the law of inertia could be deviated from in an effort to impress. However, without careful planning, the deviation could offend viewers because the sad attempt to trick the viewer could go horribly wrong. Films across the board, including science fiction, horror films and even romantic comedies may face the challenge to create a believable moment without the chance to physically carry it out. Whether the medium be computer graphics or props being hung by wires, the challenge relies on the careful observation of what actually happens in our tangible world.

Friday, March 14, 2014

Outline for Second Term Paper

Principle: Law of Inertia (object in motion stays in motion unless acted upon by an unbalanced force.

Three films that incorrectly illustrate the Law of Inertia:
1.     Wanted
2.     Star War Episode 6: Return of the Jedi
3.     Speed

THESIS: The film industry gains respect when a moment is believable in our world as well as world that we have never experienced. Adhering to the law of inertia in every sense would be believable, however, to the thrill-seeking moviegoer, believable is not always impressive or entertaining for the world introduced.
 
I.               Wanted: Curving Bullets
-Why?

The movie Wanted portrays a cult of assassins possessing the mystical power of shooting curving bullets around objects and infrastructures to kill their targets. However, curving a bullet is impossible. Only a spherical object can be curved through a fluid due to Magnus forces causing pressure differential. A bullet, a cylindrical object, does occur Magnus forces through a fluid but produces a lift force rather than a curved motion.

Therefore, the bullet in motion will stay in motion and not deviate from its path.

II.             Star Wars: Battle of the Death Star: X-wing twist and turns in space
-Why?

During the Battle for Endor, the X-Wing star fighters have the ability to perform agile maneuvers and acrobatic tactics to avoid their enemies. The X-Wings contain four propulsion engines on the rear of the fighter craft that are facing the same direction. With just these four engines, propelling in the same direction, the fX-Wing cannot perform such movement. Outer space is a vacuum, therefore, the fighter would need propulsion engines directed in all directions allowing the fighter to change paths.

In our universe, an object in motion stays in motion. The fighter craft, given the standalone force of the propulsion engines, would remain going straight unless acted upon by an unbalanced force.

III.           Speed: Bus Jump
-Why?

In the movie Speed, a bus jumps a gap created in a highway. The opposite ends of the highway gap are relatively flat, allowing for little to no vertical ascension.  When the bus begins to jumps the gap, the front end appears to have a vertical lift before the rear end of the bus even leaves the paved highway.  This would not happen due to the angle of the paved highway .The front of the bus would continue off of the cliff and descend due to the acceleration of gravity. 
Also, upon surviving the jump, the shot of the rear end of the bus seemed to have been above the ground plane of the highway. This contrasted with the first shot of the bus lifting off the cliff, where the rear end of the bus descended the ultimate height of the highway.

These two factors mentioned defy the law of inertia because the action of the bus in the movie would call for additional help to make it happen for the final shot.

CONCLUSION:  For the sake of story, laws of physics, such as the law of inertia could be deviated from in an effort to impress. However, without careful planning, the deviation could offend viewers because the sad attempt to trick the viewer could go horribly wrong.






Saturday, March 8, 2014

Reverse Video Reference


Greetings!
Our assignment was to reproduce the motion of a given character from four different clips. The greatest challenge for me was getting into character. As you will see in my last clip, I included my moment of preparation just before going into the actual motion used in "The Cool Professor" walk animation. All four of these tests included a moment to prepare just before going through the motion but in an effort to follow directions exactly I left them out. I hope I don't get docked points for including my moment of getting into character for the last test! I just thought it would be neat to leave that moment in there for the last video reference. 
Enjoy!

ClipA
ClipB

ClipC
ClipD

Monday, March 3, 2014

Stop Motion Animation of Falling

 Hi there! Let me start by saying this assignment was super incredible! I have never made a stop motion animation prior to this challenge. My first step was to make careful observations about my object, a hard candy. This included live observation as well as taking video reference of the little guy falling. Next step was the plan out my animation to finesse timing and spacing for the final cut. Once starting the animation I was noticing that there was room for adjustment being that I was working with a real object and not a drawing on paper that I could fix by erasing. My objective, for the most part, was to figure out how to ad in-betweens. The result? Re-shooting the animation. I did not mind, however, because it was satisfying to see the improvement. For this stop-motion animation I used a program called Flip-book.

Monday, February 24, 2014

The Law of Physics in an Animation Universe

The human body is an extraordinary machine that never ceases to amaze even after heavy research and familiarity.  We, as humans, have the power to do many things in our lifetime whether it is to score the game winning goal with an outrageous kick or hit high frequencies at great volumes with our voices. What if there was a way to take something that is already great and make it phenomenal? DreamWorks Animation created a phenomenal family of cavemen in their 2013 3D animated feature film, The Croods, following a prehistoric family and their struggle to survive the end of their world. Throughout the film you are reminded that the family has little difficulty overcoming the adversities of the new, strange world, yet all the family knows or must believe that to survive, you must never, not be afraid. The Croods exceeds the laws of physics by allowing these sensitive characters to be indestructible in times of life-threatening danger with the use of exaggerating human physical limitations in mobility and imposing the ability to surpass the expectations for the deadliest of circumstances.
Human mobility is very important to consider in animation to create a believable moment that would otherwise be impossible to execute in the real world. All of the members of the family have the ability to run at alarming speeds but the most impressive would be that of the grandmother who was designed as an 80-year-old female character. During the first hunt, she is given super-human speed that allows her to keep up with the others in an effort to obtain the family meal for the day. Realistically, an elderly woman’s muscles can’t generate the amount of torque necessary for her limbs to produce the excessive nature of her movements. 


Although the amount of energy exerted from a child such as Sandy is more convincing when paired with the super-human speed, it is still exaggerated to the point of impossible proportions. The child, who mostly gets around on all fours, has the speed of a hungry cheetah chasing its prey.
Another valuable aspect to mention would be the paths of action and how squash and stretch is applied to the movement to create wildly fun action scenes. The daughter, Eep gets pulled in the air in a backbreaking attempt to keep the prize egg from getting taken away by flying creatures. Clearly her body suffers deep stress as she holds on to the egg for dear life and gets taken on a whirlwind of twist and turns, essentially breaking the model for greater effect but still maintaining believability. A father and daughter moment was taken to a whole new level when Eep and her father Grug, “put on the breaks” essentially stopping a mammoth from gaining momentum. They do this by planting their feet suddenly in an angled fashioned into the hard floor, using only the strength of their legs to slow down the very large animal. It is understood that humans carry the majority of strength in our legs, however, certainly not to this extent. Believability is key. Channeling what we know and what would appear to be possible given our knowledge helps the viewer to envision this actually happening with the careful execution of action and reaction in the animation.
In contrast to the incredible strength and agility of the caveman family, isolated by fear, is that of a young man who the family meets. Guy represents the modern human Homo sapiens that actively use their mind rather than might to invent new things that attribute to his own individual survival. In contrast, Grug endorses the quintessential Homo Neanderthalensis behavior in which he uses brute force accompanied by his family’s cooperation to ultimately keep them out of harm’s way. An example of Guy’s more realistic human behavior would be the scene where he is first introduced to the family. His reaction of fear is clearly recognized but subtler than say a Crood would project fear with over-the-top movement that exaggerates literal boundaries. Guy’s subtle movement, speed limitation, and his failure to avoid pain where pain is obviously inflicted by great forces, leave him to depict the elements of physics.


As discussed previously, Guy was not able to avoid pain where pain was inevitable. On the contrary, the Croods had no problem cheating a deadly fate. A prime example of this would be Grug’s “SnapShots,” an idea that Grug created to compensate for the demeaning quality imposed by the others that he was incapable of an original thought. These snapshots are made by the application of a flat rock being slammed across the body at a super high speed that ultimately imprints the person’s form into the rock in a comedic resemblance of a Polaroid picture. However, as described in Newton’s second law, the acceleration and mass of the massive rock slab would create a force so significant that it would shatter the bones in the families’ bodies, if not kill them when impacted.

Another instance where these characters avoid severe injury and is a great example of defying Newton’s first law would be when Grug tackles Guy, causing them to roll and fall off of a cliff. For an effective comic moment that has been used in many animated films throughout our time, Grug and Guy both pause in mid-air for just enough time to see Guy’s hilarious reaction and then they both plunge to the floor. The Law of Inertia states that an object in motion stays in motion unless acted upon by an outside force. The moment Grug and Guy are clearly off the cliff there is no evident force that allows them to sustain from free fall.
Not only can these characters perform such super-humans acts, they also have the unlikely proportions in body structures that would further limit their ability to perform said acts. Grug has tiny legs in comparison to his excessively large upper body. It would be unlikely that he could stand up on his two legs due to his center of gravity. Spreading out the legs, however small, creates the illusion that Grug’s legs are in fact supporting the weight of his body, ultimately tricking the viewer. Another important aspect to mention in respect to unlikely proportions or structures would be that a few creatures in this film are made to look inanimate yet they move without apparent force acting on an otherwise object or creature at rest. An example of this is when the family grabs onto a trunk of a tree and the tree begins to move in the same form as an ostrich, walking as if the tree had become a slippery noodle bending and moving at its will. It breaks the basic concepts of Physics because the tree would’ve splintered and cracked as it moved in this fashion. Furthermore, a tree that massive can’t functionally move in that way because the pressure needed to pump water from its roots to the top of the canopy would be massive. This may be overanalyzing the use of inanimate objects in the movie, but still contradicts the structure of physics.

The Croods does have traces of real-life movement and believability of balance and weight; however, to convey the story and give the characters history, several laws of physics were deviated from in order to create such a world. Prehistoric Earth still leaves many questions unanswered which opens a wide range of possibilities.